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The air is heavy with indefinable perfume. We are already coasting the Indian shore, but it remains invisible, and gives no sign but by these gusts of warmer air laden with that inscrutable aroma of musk and pepper. A lighthouse to port, which we have for some time taken for a star, vanishes in the light mist that hangs over the coast, and then again there is nothing but the immensity of waters under the clear night, blue with moonlight.A poor sick ape, beaten by all the others, sat crying with hunger at the top of a parapet. I called her for a long time, showing her some maize on a tray. At last she made up her mind to come down. With the utmost caution she reached me, and then, after two or three feints, she struck the platter with her closed fist, sending all the grain flying. Utterly scared, she fled, followed to her perch by a whole party of miscreants roused by the gong-like blow on the tray. Others stole into the temple to snatch the flowers while the attendant priest had his back turned; and when I left they were all busily engaged in rolling an earthenware bowl about, ending its career in a smash. In front of the temple the crimson dust round a stake shows the spot where every day the blood is shed of a goat sacrificed to the Divinity.<024>
ONE:Bakaoli, having returned to her own country, sends her confidante, named Hammala, with a letter to Tazulmulook, who at once follows the messenger. The prince and the queen fall in love with each other. Bakaoli's mother finds them together, and furious at the disobedience of her daughter, who is affianced to another rajah, she calls up a djinn to plunge Tazulmulook in a magic fount. The prince finds himself transformed into a devil with horns, and wanders about the jungle once more. There he meets a pariah woman with three children, who begs him to marry her. Tazulmulook in despair leaps back into the spring to die there, and to his great surprise recovers his original shape.In the sacred tank, where Vishnu bathes when[Pg 165] he comes on earth, an old woman was standing pouring the stagnant green water over her body, while others of the faithful, seated on the steps, were piously drinking the stuff from a coco-nut that they handed round. In one corner of this pool was an exquisite bower of floating wreathsyellow, white, and violeta splash of bright colour on the squalid water.

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  • THREE:

    One morning, when Gregor Samsa woke from troubled dreams

  • THREE:

    One morning, when Gregor Samsa woke from troubled dreams

  • THREE:BOMBAY

    One morning, when Gregor Samsa woke from troubled dreams

  • THREE:I turned back into Grant Road, where bands of tom-toms and harmoniums were hard at it, where the gamblers were stifling each other round the roulette-boards in a frenzy of amusement and high spirits, eager for enjoyment before hovering death should swoop down on them.

    One morning, when Gregor Samsa woke from troubled dreams

  • THREE:All the sufferers lay on thin mattresses spread on low camp beds; they were all quiet, torpid in the sleep of fever. The doctor showed them to me, one after another; there was nothing distressing to be seen in their naked bodies lying under a sheet. Some, indeed, had dressings under the arm, or on the groin. One, who had just been brought in, had a large swelling above the hip, a gland which was lanced to inject serum.

    One morning, when Gregor Samsa woke from troubled dreams

  • THREE:At the railway station thousands of people had collected to take leave of a great turbaned moollah from Mecca, dressed in yellow silk. Long after we had left Darjeeling the faithful ran by the side of the carriage to kiss his hand, on which blazed an enormous diamond cut in a cone; and all along the road, when the train going downhill went too fast for anyone to keep up with it, Moslem natives bowed and prostrated themselves in the road, shouting words of Godspeed to the holy man. And at one stopping-place a little carpet was spread, on which he took off his shoes and prayedhurried through his last prostrations by the whistle of the locomotive.

    One morning, when Gregor Samsa woke from troubled dreams

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ONE:

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  • THREE:Then, another day, the air was leaden, too heavy to breathe. The mountains of the gem-like hues had lost their glory; they were of one flat tone of dusky grey, and further away were lost to view, invisible in the dead monotony of the colourless sky. The silence was oppressive; there was not a bird in the air, and a strange uneasiness scared the beasts, all seeking a shady refuge.All the sick were sudras, Hindoos of the lowest caste. All the rest, Brahmins, Kshatriyas, Vaisiyas, would rather die at home, uncared for, than endure the promiscuous mixture of caste at the hospital, and contact with their inferiors. Even the sudras are but few. There is an all-pervading dread of a hospital, fostered by Indian bone-setters and sorcerers, stronger even than the fear of the pestilence; the people hide themselves to die, like[Pg 33] wounded animals, and their relations will not speak of an illness for fear of seeing anybody belonging to them taken to the hospital.

    He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections

  • THREE:A man by the roadside was mixing mud with[Pg 265] chopped straw; then when his mortar was of the right consistency he began to build the walls of his house between the four corner posts, with no tools but his hands. A woman and child helped him, patting the concrete with their hands until it began to look almost smooth.

    He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections

  • THREE:A wide avenue paved with marble, rising in broad steps, crosses the hilltop between temples on either side, intersecting narrower alleys, likewise bordered with pagodas crowded together in the inextricable mazes of a labyrinth, whence our guides were frequently required to lead us outtemples crowned with a cupola or a cone, a bristling throng of little extinguishers all covered with carving. The same subjects and patterns are repeated to infinity, even in the darkest nooks: figures of gods, of gigantic beasts rearing or galloping, of monstrous horses and elephants, of tiny birds sheltering the slumbers of the gods under their outspread wings.

    He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections

  • Corporate Identity

    He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections


ONE:

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FORE:And this morning I had seen in the place of Akbar or Jehangir, a sturdy, blowsy soldier, in his red coatee, his feet raised higher than his head, spread out in his wicker deck-chair, and reading the latest news just brought by the mail from Europe.A rosy light flooded the whole scene with fiery radiance, and then suddenly, with no twilight, darkness blotted out the shape of things, drowning all in purple haze; and there, where India had vanished, a white mist rose from the ocean that mirrored the stars.
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FORE:>At the top of Malabar Hill, in a garden with freshly raked walks and clumps of flowers edged with pearl-shells, stand five limewashed towers, crowned with a living battlement of vultures: the great Dokma, the Towers of Silence, where the Parsees are laid after death, "as naked as when they came into the world and as they must return to nothingness," to feed the birds of prey, which by the end of a few hours leave nothing of the body but the bones, to bleach in the sun and be scorched[Pg 30] to dust that is soon carried down to the sea by the first rains of the monsoon.
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FORE:A Catholic church flanking the Jesuit college persistently sent up to us the shrill tinkle of a little bell, rattling out its quick, harsh strokes like a factory bell for workmen.
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FORE:In the plain, beyond shady avenues of tamarind and terminalia trees, Hardwar begins again, a second town of large buildings, buried in the greenery of banyans and bamboos. Here again was the ghost of a bazaar, where all seemed dead under the bleaching suna bazaar bereft of sellers, no one in the booths, and no buyers in the deserted streets.
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FORE:Turning out of this high street blazing with lamps, were dens of prostitution, and dark, cut-throat alleys.
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FORE:There, again, they all sit down in the garden. The same little packets of betel, only wrapped in gold leaf, are offered to the company, and bunches of chrysanthemum sprinkled with scent.The colouring in all these rock-temples is a softened harmony of yellow stone, hardly darkened in some places, forming a setting for the gaudier tones of the idols, all sparkling with gold and showy frippery.
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FORE:Not far from Ahmedabad, in a sandy desert[Pg 62] where, nevertheless, a few proliferous baobabs grow, there is a subterranean pagoda drowned in stagnant water that has filled three out of the six floors. These are now sacred baths, in which, when I went there, Hindoos were performing their pious ablutions. Sculptured arcades, upheld by fragile columns, skirt the pools; the stones are green under the water, and undistinguishable from the architecture reflected in the motionless surface that looks blue under the shadow of the great banyan trees meeting in an arch over the temple. A sickly scent of lotus and sandal-wood fills the moist air, and from afar, faint and shrill, the cries of monkeys and minah-birds die away into silence over the calm pool.The priests slowly mounted the stairs, the music died away in echoes more and more confused, ceasing at last, while the sacred animal, going off to the right at the foot of the steps, disappeared into its stable.
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ONE:The song of birds in the mitigated atmosphere of the dying day came in from outside, for a moment almost drowning the pleader's weariful tones as he poured forth his statement, emphasized by sweeping gestures.By the side of the road, in the town, the walls are still standing, all that remains of a great hall in the palace of Secundra Bagh, in which, after the suppression of the Mutiny in 1857, two thousand sepoys who refused to surrender were put to death.

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John DoeArt-Director

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ONE:A poor sick ape, beaten by all the others, sat crying with hunger at the top of a parapet. I called her for a long time, showing her some maize on a tray. At last she made up her mind to come down. With the utmost caution she reached me, and then, after two or three feints, she struck the platter with her closed fist, sending all the grain flying. Utterly scared, she fled, followed to her perch by a whole party of miscreants roused by the gong-like blow on the tray. Others stole into the temple to snatch the flowers while the attendant priest had his back turned; and when I left they were all busily engaged in rolling an earthenware bowl about, ending its career in a smash. In front of the temple the crimson dust round a stake shows the spot where every day the blood is shed of a goat sacrificed to the Divinity.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Aenean nibh erat, sagittis sit amet congue at, aliquam eu libero. Integer molestie, turpis vel ultrices facilisis, nisi mauris sollicitudin mauris. aliquam eu libero. Integer molestie, turpis vel ultrices facilisis, nisi mauris sollicitudin mauris.

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  • TWO:A large building of red and white stone, with spacious arcades and a central dome, as vast as a cathedral, stands at the angle of two avenuesthe[Pg 6] railway terminus; and a great market of iron and glassCrawford Market. Here are mountains of fruit, greenery, and vegetables of every colour and every shade of lustre; and a flower garden divides the various market sheds, where little bronze coolies, in white, scarcely clad, sell oranges and limes.A crowd of servants in red came down the flight of steps to the landing-place, and stood on each side, while at the top the Maharajah stood to receive me, in a tunic of yellow brocaded with silver, and silk trousers of various shades of violet and gold tissue; his turban was quite small, with an aigrette and a spray of diamonds.
  • Art-Director

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  • TWO:In the midst of the Lake of Immortality stands a marble temple with a roof and decorations of gold. All round the sacred lake palaces of delicate hue form a circle about the sanctuary, which glistens in the sun, its gilding and pale-tinted marbles reflected like the gleam of precious stones in the calm, sheeny, deeply transparent water.
  • Art-Director

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  • TWO:
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ONE:Coolies in white turbans were busy round the machines. They are very skilful, but work with determined slowness as a mute rebellion against the humiliating coercion of obeying a thing of wood and iron, and above all of obeying it without stopping, for the ideal of every Hindoo is to do nothing. And this rose to positive martyrdom when, in the absence of our own servants, who were nowhere to be found, one of these craftsmen, a Brahmin, strictly forbidden by his religion ever to touch the food of the disbelievers, or even the[Pg 294] vessels they use, was obliged to make tea for us. Looking utterly miserable, the poor fellow weighed out the leaves, put them into little antique earthenware pots, and poured on the boiling water. A sand-glass marked how long the infusion was to stand. He even brought us some pretty little crackle basins that looked as if they had come out of some old-world convent pharmacy; but the poor man could not bring himself to pour the tea outhe fled.

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ONE:

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections

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In the island of Srirangam we visited a temple to Vishnu, enclosed within eight walls, of which the three first only contain any dwellings. A crowd of pilgrims swarmed about the steps, where everything was on sale: little gods in bronze, in painted marble, in clay, and in wood; paper for[Pg 111] writing prayers on; sacred books; red and white face-paints, such as the worshippers of Vishnu use to mark their foreheads with a V; little baskets to hold the colours, with three or four divisions, and a mirror at the bottom; coco-nuts containing kohl; stuffs of every dye; religious pictures, artless indeed, and painted with laborious dabs of the brush in the presence of the customer; chromo-lithographs from Europe, sickeningly insipid and mawkishly pretty.At the frontier of the Nizam's territory, a man-at-arms, draped in white, and mounted on a horse that looked like silver in the sunshine, sat with a lance in rest against his stirrup. He gazed passively at the distance, not appearing to see us, not even bowing.Inside the temple long arcades connect the shrines sunk in the thickness of the walls, gloomy recesses with images of Vishnu and other idols; where the corridors or arcades cross each other there are vast halls with a sculptured roof supported by thousands of columns. In one of these halls there is a chariot full of divinities. The wheels, the horses, the highly-venerated images, are all of marble very delicately wrought, and amazing after the coarse caricatures on the outside. In the courts again, under sheds, there are cars; one of enormous size in black wood carved with innumerable figures and interlacing patterns; pendant ornaments of the same wood sway in the wind. The solid wheels, without spokes, small and having huge axles, seem made not to turn, and the shafts, to which a whole army of the faithful harness themselves on the occasion of a high festival, are long and as thick as masts.[Pg 114] Another car, past service, lay slowly rotting in a corner; almost all its images had vanished, and its canopy had fallen off; it was almost completely hidden under aristolochia in blossom.
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